By Deb A.
The 10th Berlin Biennale for Contemporary Art kicked off this weekend, promising several months of probing structures of power, knowledge and history ahead.
Called We Don’t Need Another Hero, the Biennale examines what it terms "our collective psychosis," focusing on "different configurations of knowledge and power that enable contradictions and complications." The exhibition, which strives to take on these themes in an accessible. meaningful way, features works from 46 artists, including Natasha A. Kelly, Herman Mbamba, and Sara Haq. Visitors to any of the Biennale's five galleries may be surprised to find that no information is provided about when and where the artists were born; this shrewd move on the part of the organisers leaves audiences free to explore the exhibition space without clichéd cultural frameworks informing their interpretations.
Indeed, much has been made of the curatorial team’s own cultural identity, but curator Gabi Ngcobo and her team—Nomaduma Rosa Masilela, Serubiri Moses, Thiago de Paula Souza, and Yvette Mutumba--have repeatedly reminded journalists and art-lovers that the event is not centred on striving for new structures and systems to 'solve' post-colonialism—they are not the heroes that white Europeans may be looking for. Instead, their goal is to break through existing narratives and open up a space for different perspectives, voices, and ideas, giving artists and visitors alike the opportunity to strive for shared answers. In refusing to take on the role of hero, the Berlin Biennale reminds us that the only way to address our collective psychosis is through inclusive collective action.
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