By Deb A.
It is the nightmare of most museum-goers: Accidentally bumping into something. When someone tumbles into a Picasso canvas it becomes global news. When a selfie-taker gets a touch too close to the first in a row of plinths, the video of the perfect domino topple gets over 7 million hitsâfueled in part by controversy over whether the gaffe was a little too perfect. Was it a costly stumble or a publicity-seeking prank?
The bar has arguably been higher for pranks in the art world since a print of Banksy's Girl With Balloon went up for auction. As the hammer went down on the winning bid of $1.4 million, the print went down tooâthrough a shredder built into the frame.
Sotheby's take? "It appears we just got Banksy-ed."
Banksy has confirmed creating the self-destruct mechanism and has renamed the piece Love Is in the Bin.
The winning bidder has decided to keep it. She told The Guardian that after recovering from the initial shock, she came to realise "that I would end up with my own piece of art history." Indeed, Elizabeth Dee argues that the event may have permanently transformed how performance art is perceived and valued, and the Evening Standard reports that the price tag on the new incarnation is likely to have increased by at least 50%.
Girl With Balloon has become an iconic work since it first appeared in London in 2002; it has gone through several iterations since then, including variations created in support of Syrian refugees in 2014 and in protest against the British Conservative Party in 2017.
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