By Deb A.
The first ICYMI of the 2019 is all about gratitude and celebration. Read on!
... to Lin-Manuel Miranda and three Hamilton collaborators, who are saving New York City's Drama Book Shop, (New York Times)
... to Simon Beattie, founder of the gorgeous We Love Endpapers group, and to The Guardian for helping the world discover it.
... to Georg P. Salzmann (1929–2013): With recent surveys showing that 5% of British adults do not believe the Holocaust happened and that 20% of young Canadians don't know or aren't sure what the Holocaust is, it's heartening to return to the story of Georg Salzmann, who spent nearly 40 years collecting around 12,000 books banned by the Nazis. (BBC)
... to Wyatt Walker, college basketball player and man with the arm that will save an ancient Roman statue. (Hyperallergic)
... to Jayant Kaikini and translator Tejaswini Niranjana, winners of the 2018 DSC Prize for South Asian Literature for No Presents Please. This is the first time that the award has gone to a translated work. (The Indian Express)
... to Hannah Sullivan, who won the 2018 T. S. Eliot Prize for Poetry for her debut collection, Three Poems. (Faber)
... to Duncan Murrell for winning the Ocean Art Underwater Photography Contest with his "Devil Ray Ballet". (Lonely Planet)
By Deb A.
Let's start the year with some optimism: $1.7 million dollars has been awarded to an academic research project focused on rescuing the poems, letters, and reflections written by European women in the early modern period (1500-1780).
The goal of Women's Invisible Ink: Trans-Genre Writing and the Gendering of Intellectual Value in Early Modernity is not to find the female Shakespeare. Instead, Carme Font, a lecturer in English literature at the Autonomous University of Barcelona, wants to finally accord value to the writing that until now had been cast aside.
Font and her team will uncover texts written by women who, for the most part, had no formal education. While their style may be less sophisticated than the treatises of their educated male contemporaries, these stories and diaries and prayers and poems nevertheless contain intellectually valuable thoughts.
Taken together, they present a view of the world that has yet to be acknowledged and appreciated.
Most of what women of the time wrote about their lives and ideas was not considered intellectual, whether they were addressing philosophical or religious questions or describing their lives and struggles. Font argues that throughout history, misogyny has permeated how people evaluate texts, leading to what she terms "cognitive androcentrism."
We still tend to forget that women's experiences are worthy too; as Font told El País, "we do not value a woman's text about the pain of childbirth, but we do value a soldier's letter from the front."
In recovering women's voices, Font aims to change our perceptions of women's intellectual contribution to civilisation. With her European Research Council funding, she will employ five full-time researchers to pore through national archives, libraries, and private collections, amassing a powerful collective legacy for us all.
By Deb A.
The Washington Post and the Financial Times have already gotten a head start on end-of-year recommendations, offering up their picks for the best poetry books of 2018. But not every poet can win a Grammy like Leonard Cohen, whose The Flame is a must-read according to the Financial Times, or be hailed as a "Living Legend" by the U.S. Library of Congress like Ursula K. Le Guin, who made the Washington Post's list with So Far So Good. Which is why some Columbia University students set their sights much, much lower, on the 33rd annual Alfred Joyce Kilmer Memorial Bad Poetry Contest.
Held by the university's Philolexian Society, a literary and debate society that aims to "promote wit and humour on campus," the contest honours Alfred Joyce Kilmer and his meticulously rhyming contributions to the poetic canon. Nearly 40 contestants took to the stage this year, unabashedly embracing terrible metaphors, obnoxious rhymes, and pretentious language in their efforts to drive the three professors judging the proceedings to despair.
There were limericks. There was performance art. There were several modern takes on old classics. The winner was freshman Dylan Tymel and his "A Story of Unrequited Love in 5 Haikus", in which he recruits a "sweet, rotten, rhymeless" orange to provide the necessary imagery.
Your pith in my nails
As I peel you, stinging juice
Squirts into my soul
(From "A Story of Unrequited Love in 5 Haikus" by new poet laureate Dylan Tymel)
(If that strikes your fancy, you might want to check out some past winners.)
As per tradition, the event ended with everyone in attendance reciting Joyce Kilmer's "Trees":
I think that I shall never see
A poem lovely as a tree.
A tree whose hungry mouth is prest
Against the sweet earth's flowing breast;
A tree that looks at God all day,
And lifts her leafy arms to pray;
A tree that may in summer wear
A nest of robins in her hair;
Upon whose bosom snow has lain;
Who intimately lives with rain.
Poems are made by fools like me,
But only God can make a tree.
By Deb A.
What makes a book difficult, and is that a bad thing? (The Guardian)
The Deutsche Börse Photography Foundation has announced its shortlist for next year's prize.
Behind the scenes with the impressive list of celebrities reading children to sleep on CBeebies Bedtime Stories. (BBC)
Jawohl! The Deutsche Welle has put together a list of 100 must-reads translated from German into English.
Artist Tania Willard's recent work turns the wind into a poet. (CBC)
The science is in on how to become a successful artist. (artnet; full study, published in Science, available here)
The 2018 New York Times/New York Public Library Best Illustrated Children's Books are here!
By Deb A.
Climate change is one of the most pressing issues facing humanity. As we teeter on the edge of disaster, actions should be speaking louder than words. But the sad truth is that the overwhelming evidence for climate change has not moved us beyond discussion and, shockingly, debate; even the most dire numbers apparently are not enough to make us feel the urgency. Fortunately, some talented artists are using their craft to inspire us to take action.
Kathy Jetnil-Kijiner is a poet from the Marshall Islands who is sounding the alarm about the devastating effects that global warming is already having on her native land. She has addressed the UN and is the cofounder of Jo-Jikum, an environmental NGO.
"Climate change at work": For his Climate Signals installation (September 1–November 6), artist Justin Brice Guariglia—who has flown on earth science missions with NASA—has erected 10 solar-powered highway signs around New York City. Their flashing messages are geared toward provoking conversation and encouraging action on climate change.
Artist Mary Mattingly has a long history of creating sculptural ecosystems that highlight environmental issues. In 2009 she created the barge-mounted Waterpod to highlight rising sea levels. Artists lived, worked, and held events on the self-contained eco-habitat. Her most recent piece, Swale, is a floating food forest.
Olafur Eliasson, conceptual artist and creator of Little Sun, worked with geologist Minik Rosing to create Ice Watch in 2015. The project harvested 80 tonnes of ice from Greenland and deposited them to melt in Paris during the United Nations Climate Conference there.
Eve Mosher worked with experts and the local communities of five cities in the United Kingdom and the United States for HighWaterLine, a public art initiative that drew a blue chalk line around sites that are likely to flood due to climate change.
Dear Climate is an art project led by artists Marina Zurkow and Oliver Kellhammer and writer Una Chaudhuri. Along with exhibitions and events, Dear Climate offers audio meditations to "retool your inner climate" and posters to print out and mount wherever you see fit.
Collections and resources
In 2015, Carol Anne Duffy curated 20 original poems on climate change for The Guardian. Actors including Jeremy Irons, Ruth Wilson, and Michael Sheen read the poems aloud for maximum impact.
For its T Agitprop series, The New York Times collected works from a dozen contemporary artists on the theme of climate change.
The Poetry Foundation has pulled together a collection of environmental poetry from the past seven decades, "from early practitioners ... to ecopoets."
Artists and Climate Change (and its own list of resources) is a must-read for anyone interested in the intersection of art and ecology.
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