By Deb A.
Chris Ofili is arguably best known for creating art with elephant dung. Andres Serrano's Piss Christ was made with the artist's urine. Tracy Emin's My Bed hosted a range of bodily fluids, including one that has recently made headlines again in the art world: menses.
The first major movement in the West of using or depicting menstrual blood in art started in the 1970s, along with second wave feminism. And so it is no surprise that recent efforts to address the period taboo coincide with a reaction to the rise of high-profile misogyny.
In 2015 Rupi Kaur's photo showing the artist with a bloodstain at her crotch was removed (and subsequently reinstated following public backlash) from Instagram, leading Ms. Kaur to object to a world that "will have my body in an underwear but not be okay with a small leak."
Six months later, American artist and activist Sarah Levy used her period blood to create a portrait of a presidential candidate who reacted to tough questions at a debate by claiming the female moderator had "blood coming out of her wherever". He is now president, and the painting was purchased this year by the Museum of Military History in Dresden, Germany. It's hard to say which fact is stranger.
The latest controversial attempt to normalise a regular function of the bodies of half of the earth's human population can be found in an equally surprising place: the Stockholm subway. Its new exhibit by Liv Strömquist is a series of black-and white felt pen drawings that feature the occasional blotch of bright red between women's legs. Some have hailed it as a coup for womankind, while others have recoiled in disgust, angry at their newly uncomfortable commute.
For those who prefer to decide when they will be confronted with the reality of women's reproductive cycles--a luxury most women do not have--there's Period Piece in London, which "seeks to provoke critical dialogue about shifts in contraceptive technologies and constructions of the 'natural' around women's bodies." With music composed from ovulation cycles and poetry based on reactions to the Catholic church's rejection of birth control in 1968, the exhibit finds new, less confrontational ways of talking about periods. It is a pop-up event by the Science Gallery London, which opens officially in 2018.
For a brief overview of period art, this piece by Kristen Cochrane is a good place to start.
Prickly Pear Issue 1: Desert/Water
Agave Press is thrilled to announce our newest quarterly publication, Prickly Pear Kids, debuting in print this winter. Inspired by colours and contrasts, textures and senses, culture and the natural world, Prickly Pear brings an accessible community of learning and creating to children aged 5-12 across the globe.
Calls for submissions are open until November 1st.
Agave Magazine is read in over 75 countries, and readership continues to grow thanks to the immensely talented writers, artists and photographers who fill our pages. Vol. 3, Issue 3 is titled Best of Agave--keep your eye out for its release later this year. In the meantime, calls for submissions for the following issue close November 1st.
We are looking for manuscripts, artistic portfolios and mixed-genre work to bring to print in our 2018 series. The deadline for submissions is December 1st. Further information can be found here.
Agave Press is pleased to offer a range of services, from book design to editing, writing and even website customisation. Get in touch!
Considering a collaboration with Agave Press? For details about our publications, including reviews, stats, and prices for our integrated support services, please send us a request for our 2017 media kit.
By Deb A.
If you're in need of some inspiration to begin your week, look no further:
Art is good for us: On Wednesday the British Parliament will announce the results of its two-year inquiry into arts, health and wellbeing. In anticipation of the report, Nicci Gerrard offers an eloquent account of the role of arts in helping people with dementia. (The Guardian)
Beware the selfie: A single snapshot was to blame for the domino effect that knocked over a row of plinths holding $200,000 worth of art. Too perfectly awkward to be true? (The New York Times)
Sketching the unknown: How artists and researchers teamed up to find and introduce new species to the rest of the world. (The Atlantic)
Illustrator, cartoonist, trailblazer: Canadian artist Jillian Tamaki's new book of graphic short stories marks her emergence as a "consummate storyteller". (The Walrus)
Visual activist: Photographer Zanele Muholi highlights racism, homophobia, and hate with Somnyama Ngopnyama, Hail the Dark Lioness, a series of self-portraits she took every day for a year. The Guardian dedicates two spaces to her work, and rightly so: a striking photo gallery and a compelling article.
When is a Modigliani not a Modigliani? Twenty-one artworks have been confiscated from a major exhibition in Genoa after several were confirmed as fakes. (The Telegraph)
The Commuter Pig Keeper? You still have time to vote for the Oddest Book Title of the Year. (The Bookseller)
Agave alumna: Agave Magazine contributor Karla K. Morton's twelfth book, Wooden Lions, is now available.
By Deb A.
Disruptions, delivery services, death: the news about drones is far from positive. But in the right hands, a drone can capture beauty from an uncommon vantage point.
Dronestagram is a social network solely for aerial photographers. This is the fourth year that it has held a drone photography contest in partnership with National Geographic and the first year it has included "Creativity" as a category alongside "Nature", "People", and "Urban". Plucked from 8,000 submissions, the twelve winning photos take us around the world with striking views of France, Romania, Greenland, the United Arab Emirates, Russia, Spain, South Africa, the United States, and Vietnam.
By Deb A.
After Senator Kamala Harris was accused of being hysterical for the (professional) way she questioned Attorney General Jeff Sessions, the world-renowned Strand Book Store posted a list of "strong feminist voices you need to listen to" under the title We Are Not Hysterical.
If you'd like feminist books like those delivered to your door every month you might want to keep an eye on the Card Carrying Books and Gifts Indiegogo page.
Enormous portraits of inspiring black women now grace the streets of London thanks to artist Neequaye Dreph Dsane and his You Are Enough series.
New York City will also look a little more interesting as of June 26th, when works by female artists will take the place of ad space on Lower East Side billboards thanks to SaveArtSpace.
Meanwhile, Emma Watson is up to her usual tricks: hiding feminist books around a major city. After leaving copies of Maya Angelou's Mom & Me & Mom around London and New York, she's now stashing The Handmaid's Tale in Parisian nooks and crannies.
Joanna Moorhead of The Guardian rightly asks: Why isn't Anna Atkins famous?
Shikha Sharma spotlights feminist Indian authors we should get to know for Youth Ki Awaaz.
Grace Meets Matisse: Coming to a NYC billboard soon. (via Elise R. Peterson)
By Deb A.
Happy Ramadan to all our Muslim readers! And thanks to TED-Ed for this hypnotic look into the intricacies of Islamic design:
Arundhati Roy is back with new fiction, 20 years after her breathtaking first novel, The God of Small Things. The Guardian's recent interview with the author gives us a glimpse into her mind--and the minds of her latest characters. You can read an extract of Ms. Roy's latest novel, The Ministry of Utmost Happiness, at The Guardian too.
The world is $933,000 away from Neil Gaiman doing a live reading of Dr. Seuss's Fox in Socks (or a mere $433,000 away from hearing him read the Cheesecake Factory menu). In case this is what's missing in your life, you can donate here. All proceeds will go to the UNHCR.
The BBC takes a look back at 70 years of classic portrait photography with a tribute to the Camera Press Agency.
His memoir was on many 'best books of 2016'' lists last year; this year Hisham Matar's The Return: Fathers, Sons and the Land in Between has also won the Folio Prize.
Kerry Clare takes a look at smallness in children's literature in The Walrus.
He "solved a problem that [others] did not. He found a way to represent for a global Anglophone audience the diction of his Igbo homeland": Kwame Anthony Appiah explains Chinua Achebe's particular genius in The New York Review of Books.
By Deb A.
Time for another round-up of bits and pieces that have caught our eye recently....
The BBC celebrated Magnum Photos's 70th anniversary with a retrospective on the legendary photo agency run by photographers.
The Institute of Arab and Islamic Art opened May 4 with Exhibition 1, a show featuring four female artists influenced by Islamic architecture and design. The institute, which is the only cultural institution representing Muslim and Arab artists in New York City, aims to encourage dialogue and confront stereotypes.
Messy Nessy takes us back to the original Shakespeare and Company bookstore in Paris, where struggling writers who promise to read a book each day and work in the shop for two hours a day have been sleeping amongst the stacks since 1951.
A.R. Penck, a leader of the German Neo-Expressionist movement, died May 2, aged 77.
Just over 40% of us have embellished the truth about our reading habits, claims The Reading Agency. That statistic leaps to nearly 65% for people aged 18 to 24. Indeed, a quarter of that particular demographic purports to have read The Lord of the Rings when in fact, they've only seen the film.
...Good news for anyone who's been pretending to read Margaret Atwood or Neil Gaiman: The Handmaid's Tale and American Gods have both hit the small screen.
By Deb A.
Does your tattered copy of Daniel Deronda smell like chocolate or wood? Researchers know that your sense of smell is important to how you experience a book (sorry, e-reader aficionados).
She was wondering how power affected a politician's physique, so Herlinde Koelbl asked to photograph up-and-coming German politicians once a year from 1991 to 1998. In 2006 she started the series up again. One subject who's been with her from the very beginning: Angela Merkel.
Goodbye, dandelion, hello, some sort of blue? Crayola is retiring the dandelion crayon. Perhaps before he quits?
This superhero skulks the streets of Bristol looking for bad grammar. As he tells the BBC, defacing signs with his Apostrophiser can hardly be considered criminal: "It's more of a crime to have the apostrophes wrong in the first place."
Poetry lovers, rejoice! The Observer highlights how poetry festivals and book sales are booming.
Thanks to the New York Times we can all enter one of Yayoi Kusama's Infinity Mirror Rooms:
By Deb A.
It's that time again: here's what may have slipped under your radar.
As classic dystopian fiction surges to the top of bestseller lists, Margaret Atwood wrote about The Handmaid's Tale and the significance of bearing witness in America's current political climate for the New York Times.
The Guardian looks at the numbers and concludes, happily, that hate doesn't sell.
Because you've already clicked 'agree': R. Sikoryak has turned iTunes's Terms and Conditions into a graphic novel.
Do you hear characters' voices even after you've put down your book? You're not alone.
The shortlist of the Deutsche Börse Photography Foundation Prize is on display in London.
Co-edited by Agave Magazine favourite Mahvesh Murad, The Djinn Falls in Love is out now in the UK and will be available in North America from March 14th. The Washington Post loves it and you will too.
By Deb A.
... but it's going to be OK. Here are a couple things of beauty that have emerged from recent events.
Whether reacting to the American election results with sadness, joy or fear, New Yorkers are offering each other messages of hope and unity on their commutes.
(via the New York Times)
Leonard Cohen on democracy
Maria Popova at BrainPickings has assembled some insights from Canada's treasured poet, where she also reminds us of David Remnick's beautiful profile of Mr. Cohen in The New Yorker. If you prefer to close your eyes while you reminisce, listen to this.
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