By Deb A.
Summer is festival time. Here's a sample of just some of the events for bookworms, art lovers, and photography fans taking place this season.
Athens Photo Festival 2018
6 June –29 July; Athens, Greece
The main exhibition at the Benaki Museum was curated from over 100 entries; there is also a Young Greek Photographers exhibit.
21 June–1 July; Lodz, Poland
One of Poland's first major photography events in 2001, this year's festival looks at the Anthropocene epoch with over 30 exhibitions.
23 June–1 July; Leipzig, Germany
This year the biennial festival for photography will examine how photography can be used for democracy and mediation.
National Arts Festival
28 June–8 July; Grahamstown, South Africa
Visitors get free entry to exhibitions by "hundreds of visual artists working in almost every conceivable medium," including I am because you are: A search for Ubuntu with permission to dream and Sister Sister, an all-female exhibition.
29 June–1 July; London, England
Somali-British poet Warsan Shire will headline the U.K.'s biggest annual African literary festival, which features book launches, workshops, masterclasses, panels, and roundtables with authors from a dozen countries.
Read by the Sea
2–7 July; River John, Canada
A festival that brings some of Canada's best authors and poets to a small town in Nova Scotia; WordPlay, a children's event, will include Paulette Bourgeois (Franklin the Turtle).
2 July–23 September; Arles, France
"Cross space and time with a breathtaking, celestial journey across the ages"—who could resist an invitation like that?
Antiparos International Photo Festival
7–16 July; Antiparos, Greece
With a maximum of just 15 photographers, this mostly open-air event may be the smallest international photography festival in the world.
Upfest—The Urban Paint Festival
28–30 July; Bristol, England
Europe's largest, free street art and graffiti festival, with artists from around the world painting 60,000 square feet of surfaces. Also includes an affordable art sale.
Edinburgh Fringe Festival
3–27 August; Edinburgh, Scotland
It bills itself as "the world's greatest platform for creative freedom," as well as "the single biggest celebration of arts and culture on the planet," neither of which is an empty boast. Featuring spoken word performances, art exhibits, plays, dance, cabaret, and more, it is perhaps best-known for comedy.
Kilkenny Arts Festival
9–19 August; Kilkenny, Ireland
Enjoy the music, theatre, dance, and art, but don't let it distract you from attending a poetry workshop with poet-in-residence Eavan Boland.
17–19 August; Kampala, Uganda
In its sixth year, Uganda's leading literary festival will be looking to build on its foundations and set the tone for the next five years.
Queensland Poetry Festival
36–26 August; Queensland, Australia
Poet-in-residence Yona Harvey will offer workshops, talks, and more; the winner of the Emerging Older Poets Mentorship will read, and a poet will be selected to represent Queensland in the Australia Poetry Slam.
By Deb A.
Happy Fathers' Day to our American readers! The New York Public Library has some book recommendations to honour the occasion.
Beyoncé and Jay-Z have caused a stir with their latest video, which was filmed at the Louvre. (If you're looking for a guide to the art featured in the video, Vulture has you covered.)
"Stay as invisible as possible," was Clemens Kalischer's advice for new photographers. The photojournalist died June 9 at the age of 97.
Get ready for a memorable address: Chimamanda Ngozi Adichie will receive the PEN Pinter Prize on October 9.
A "raw sense of connectivity": The Walrus profiles Billy-Ray Belcourt, the Cree poet and Rhodes scholar who recently won the Griffin Poetry Prize.
By Deb A.
My Dear Sir,
It has been so long since letters gave way to e-mails that now e-mails themselves have been replaced by messages that are easier to type with one's thumbs. And yet, there's something undeniable about the power of the handwritten word—in particular when it comes in an envelope.
For anyone rolling their eyes at this anachronistic, romanticised view of letter-writing: Try imagining an audience listening rapt as a renowned performer reads a piece of correspondence aloud. Is that performer reading a WhatsApp chat or a letter?
Chances are you're thinking of epistles, not emojis. So were the founders of Letters Live, who began an event series in London in 2013 that has, after over a dozen events in the United Kingdom, recently made its way over the the United States as well.
Letters Live bills itself as "a celebration of the enduring power of literary correspondence." The events are a surprise; the audience is aware of what to expect in the most general sense—in essence, a cast of famous people reading memorable letters from other, mostly famous, people—but the personalities and subject matter involved are a mystery until someone takes the stage, and every show is different. Perhaps Ian McKellen will read Kurt Vonnegut's letter to five teenage fans. Maybe Benedict Cumberbatch will recite Albert Camus's missive to the teacher who inspired him. The process is so secretive that the performers themselves are told only moments before they step into the spotlight what they'll be reading.
Shows are generally sold out, and part of the proceeds are used to support literacy-focused charities such as First Story, The Reading Agency, and 826LA. The next event is the series' New York debut this week.
By Deb A.
She calls herself "the spinach in the teeth of the art world." Alice Procter, a.k.a. The Exhibitionist, draws attention to the colonial, whitewashed stories behind some of London's best-known artworks and the galleries in which they're found.
On Uncomfortable Art Tours through the National Gallery, the National Portrait Gallery, the British Museum, the Victoria and Albert Museum, Tate Britain, and the Queen’s House (National Maritime Museum), Ms. Procter offers her guests a viewpoint that is not likely to be part of a museum audio guide anytime soon. Her art history lessons, which began as part of Antiuniversity Now, pull no punches, covering everything from how colonialism helped build the collection to how the way in which the artworks are displayed lends credence to a very specific imperialist understanding of the world. Her own website features reproductions of classic portraits with labels like "thief" (Queen Victoria), "white supremacist" (Horatio Nelson) and "invader" (James Cook) scrawled across them in red graffiti, and she passes out buttons that read "display it like you stole it" at her tours.
The museums and galleries she examines have been quick to distance themselves from Ms. Procter's activity, but she notes that her ultimate goal is to encourage institutions to openly engage with the colonialist narratives behind their art collections and their own histories.
"Museums are institutions of memory," she wrote in The Guardian. "They must stop pretending there’s only one version of events, and be willing to own up to their role in shaping the way we see the past."
Uncomfortable? Maybe. Necessary? Absolutely.
By Deb A.
February is the shortest month, but it's no less packed with interesting tidbits from the worlds of art and literature.
A must-read: After the controversy surrounding the temporary removal of a pre-Raphaelite painting at the Manchester Art Gallery, Ellen Mara De Wachter at Frieze investigates the issues that arise when cultural institutions incorporate activism into their programmes.
Masterpiece found: Ben Ewonwu's long-missing portrait of Nigerian princess Adetutu Ademiluyi has been located in a North London flat. (The Telegraph)
An Olympic champion: Whether you follow every triple Salchow or not, you will want to take a look at this extraordinary pavilion. It's covered with Vantablack spray, not the pigment that can only be used by Anish Kapoor. (Dezeen)
Not recent, but related (and amusing): Stuart Semple has protested Mr. Kapoor's exclusive rights to Vantablack with the pinkest pink, the glitteriest glitter, and the blackest black that's actually available to artists. You can purchase any of these as long as you're not Anish Kapoor.
Reading the unreadable: The woman who deciphers centuries-old handwritten documents. "You see [Jane Austen's edits to Pride and Prejudice], and you think—that's so much better than it was before." (Atlas Obscura)
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