By Deb A.
What makes a book difficult, and is that a bad thing? (The Guardian)
The Deutsche Börse Photography Foundation has announced its shortlist for next year's prize.
Behind the scenes with the impressive list of celebrities reading children to sleep on CBeebies Bedtime Stories. (BBC)
Jawohl! The Deutsche Welle has put together a list of 100 must-reads translated from German into English.
Artist Tania Willard's recent work turns the wind into a poet. (CBC)
The science is in on how to become a successful artist. (artnet; full study, published in Science, available here)
The 2018 New York Times/New York Public Library Best Illustrated Children's Books are here!
By Deb A.
Americans, don't forget to vote this week!
By Deb A.
Hallowe'en is looming, so we turn this week to something a little more gory. This month not one but two blood-based art projects have hit the headlines, both with a political message.
Marc Quinn will draw blood from 5000 people for his next piece in order to highlight the global refugee crisis and, crucially, raise money for refugees worldwide. Billed as "a monument to our common humanity" that emphasises "how there is more that unites us than divides us," Odyssey will feature two cubes, each containing one metric ton of frozen blood--one cube will hold blood drawn from refugees, while the other will hold blood drawn from non-refugees around the world, including celebrities such as Anna Wintour and Jude Law. The cubes will be unlabelled, pushing viewers to recognise the basic humanity that is shared by us all. If you would like to stand in solidarity with refugees, or even if you just fancy the idea of your blood mingling with Paul McCartney's DNA, you can buy the chance to donate your blood to the artwork. Odyssey will debut outside the New York Public Library in Autumn 2019, then go on a global tour.
Earlier this month Khaled Jarrar stood on Wall Street selling vials of his own blood from a cooler with the aim of drawing attention to the role of America's military industry in war and violence. In his performance piece Blood for Sale, Jarrar sold his first eight bottles of blood for $19.48 to mark the price of Smith and Wesson stock and the 1948 Palestine War. The rest were valued according to the stock prices of 15 major American defence contractors: from $75 (Science Applications International Corporation) to $347 (Lockheed Martin). Interested passers-by who preferred to simply make a donation or buy the accompanying certificate without incurring the inconvenience of having to carry blood around for the rest of their day were rebuffed: As taxpayers to the American government, they already had blood on their hands, Jarrar reasoned. Proceeds of the sales of the 50 10-ml samples will be donated to hospitals in Yemen and Gaza.
By Deb A.
The dog in Rembrandt's masterpiece is slowly fading away as a white haze creeps over the 12 x 14-foot painting. It is time for The Night Watch to be restored.
Rembrandt reinvented the portrait with his The Night Watch in 1642. Commissioned to paint a group portrait of a civic guard, he moved beyond the tradition of depicting the subjects in a static pose and opted to instead tell a story by painting the men going into action.
The Night Watch is the jewel in the Rijksmuseum's crown and will remain on view to the public as it is analysed and restored in front of a live audience: It will stay in the Night Watch Hall throughout (albeit behind a glass chamber), and a live feed will be broadcast online for the world to watch. The museum's director, Taco Dibbits, explained that The Night Watch "is one of the most famous paintings in the world. It belongs to us all, and that is why we have decided to conduct the restoration within the museum itself--and everyone, wherever they are, will be able to follow the process online."
The restoration is due to begin in July 2019, after the museum has marked the 350th anniversary of Rembrandt's death with an exhibition of its collection of over 400 of the artist's works. The restoration is expected to take several years. Don't forget to tune in!
By Deb A.
It is the nightmare of most museum-goers: Accidentally bumping into something. When someone tumbles into a Picasso canvas it becomes global news. When a selfie-taker gets a touch too close to the first in a row of plinths, the video of the perfect domino topple gets over 7 million hitsâfueled in part by controversy over whether the gaffe was a little too perfect. Was it a costly stumble or a publicity-seeking prank?
The bar has arguably been higher for pranks in the art world since a print of Banksy's Girl With Balloon went up for auction. As the hammer went down on the winning bid of $1.4 million, the print went down tooâthrough a shredder built into the frame.
Sotheby's take? "It appears we just got Banksy-ed."
Banksy has confirmed creating the self-destruct mechanism and has renamed the piece Love Is in the Bin.
The winning bidder has decided to keep it. She told The Guardian that after recovering from the initial shock, she came to realise "that I would end up with my own piece of art history." Indeed, Elizabeth Dee argues that the event may have permanently transformed how performance art is perceived and valued, and the Evening Standard reports that the price tag on the new incarnation is likely to have increased by at least 50%.
Girl With Balloon has become an iconic work since it first appeared in London in 2002; it has gone through several iterations since then, including variations created in support of Syrian refugees in 2014 and in protest against the British Conservative Party in 2017.
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