By Deb A.
For young readers
I Dissent: Ruth Bader Ginsburg Makes Her Mark by Debbie Levy; illustrated by Elizabeth Baddely
Turning Pages: My Life Story by Sonia Sotomayor; illustrated by Lulu Delacre
The Beloved World of Sonia Sotomayor by Sonia Sotomayor
My Own Words by Ruth Bader Ginsburg with Mary Hartnett and Wendy W. Williams
Notorious RBG: The Life and Times of Ruth Bader Ginsburg by Irin Carmon and Shana Knizhnik
Ruth Bader Ginsburg: A Life by Jane S. De Hart (out October 16, 2018)
Elena Kagan: A Biography by Meg Greene
My Beloved World by Sonia Sotomayor
By Deb A.
Here are some tidbits you may have missed this week.
"Alas for me! I am dead!": Ancient speech bubbles have been discovered in Jordan. (Atlas Obscura)
World of WearableArt celebrates its 30-year anniversary this year. (World of WearableArt)
Film, sculpture, performance, installations, activist architecture—but not a paintbrush in sight. The Turner Prize shortlist is here. (Tate)
Speaking of shortlists, the Photobox Instagram Photography Awards has one and there isn't a single shot of brunch to be seen. (PIPA)
Caitriona Lally won this year's Rooney Prize for Irish Literature for her debut novel, Eggshells. The award is given by Trinity College Dublin, Ms. Lally's alma mater and current employer; she has been working there as a cleaner since 2015. (CBC Radio)
How to probably not corrupt your child: Read them books that have been banned. Julia Pistell celebrates Banned Books Week. (Shondaland)
And now that you've reached the end, stop scrolling and get back to your book—but take a look at Joe Moran's examination of slow reading first. (The Guardian)
By Deb A.
Climate change is one of the most pressing issues facing humanity. As we teeter on the edge of disaster, actions should be speaking louder than words. But the sad truth is that the overwhelming evidence for climate change has not moved us beyond discussion and, shockingly, debate; even the most dire numbers apparently are not enough to make us feel the urgency. Fortunately, some talented artists are using their craft to inspire us to take action.
Kathy Jetnil-Kijiner is a poet from the Marshall Islands who is sounding the alarm about the devastating effects that global warming is already having on her native land. She has addressed the UN and is the cofounder of Jo-Jikum, an environmental NGO.
"Climate change at work": For his Climate Signals installation (September 1–November 6), artist Justin Brice Guariglia—who has flown on earth science missions with NASA—has erected 10 solar-powered highway signs around New York City. Their flashing messages are geared toward provoking conversation and encouraging action on climate change.
Artist Mary Mattingly has a long history of creating sculptural ecosystems that highlight environmental issues. In 2009 she created the barge-mounted Waterpod to highlight rising sea levels. Artists lived, worked, and held events on the self-contained eco-habitat. Her most recent piece, Swale, is a floating food forest.
Olafur Eliasson, conceptual artist and creator of Little Sun, worked with geologist Minik Rosing to create Ice Watch in 2015. The project harvested 80 tonnes of ice from Greenland and deposited them to melt in Paris during the United Nations Climate Conference there.
Eve Mosher worked with experts and the local communities of five cities in the United Kingdom and the United States for HighWaterLine, a public art initiative that drew a blue chalk line around sites that are likely to flood due to climate change.
Dear Climate is an art project led by artists Marina Zurkow and Oliver Kellhammer and writer Una Chaudhuri. Along with exhibitions and events, Dear Climate offers audio meditations to "retool your inner climate" and posters to print out and mount wherever you see fit.
Collections and resources
In 2015, Carol Anne Duffy curated 20 original poems on climate change for The Guardian. Actors including Jeremy Irons, Ruth Wilson, and Michael Sheen read the poems aloud for maximum impact.
For its T Agitprop series, The New York Times collected works from a dozen contemporary artists on the theme of climate change.
The Poetry Foundation has pulled together a collection of environmental poetry from the past seven decades, "from early practitioners ... to ecopoets."
Artists and Climate Change (and its own list of resources) is a must-read for anyone interested in the intersection of art and ecology.
By Deb A.
The extraordinary Hay Festival in Wales draws to a close today, and we were thrilled to find a list of books that give some of the festival speakers hope. Combine that with Steven Pinker's suggestions for reading material to make or keep you optimistic, and you have the start of a promising summer reading list.
One of the things that gives us hope is hearing women's voices, so here we offer, in no particular order, a selection of the books that make authors feel good. What books give you hope? Add your favourites in the comment section below.
By Deb A.
She calls herself "the spinach in the teeth of the art world." Alice Procter, a.k.a. The Exhibitionist, draws attention to the colonial, whitewashed stories behind some of London's best-known artworks and the galleries in which they're found.
On Uncomfortable Art Tours through the National Gallery, the National Portrait Gallery, the British Museum, the Victoria and Albert Museum, Tate Britain, and the Queen’s House (National Maritime Museum), Ms. Procter offers her guests a viewpoint that is not likely to be part of a museum audio guide anytime soon. Her art history lessons, which began as part of Antiuniversity Now, pull no punches, covering everything from how colonialism helped build the collection to how the way in which the artworks are displayed lends credence to a very specific imperialist understanding of the world. Her own website features reproductions of classic portraits with labels like "thief" (Queen Victoria), "white supremacist" (Horatio Nelson) and "invader" (James Cook) scrawled across them in red graffiti, and she passes out buttons that read "display it like you stole it" at her tours.
The museums and galleries she examines have been quick to distance themselves from Ms. Procter's activity, but she notes that her ultimate goal is to encourage institutions to openly engage with the colonialist narratives behind their art collections and their own histories.
"Museums are institutions of memory," she wrote in The Guardian. "They must stop pretending there’s only one version of events, and be willing to own up to their role in shaping the way we see the past."
Uncomfortable? Maybe. Necessary? Absolutely.
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