By Deb A.
A man rappelled down a building to thumping electro music while a troupe in rainbow sweatshirts waited solemnly underneath the subway overpass, flanked by Art Mile sculptures and throngs of art enthusiasts. The opening of Urban Nation, the world's first major museum dedicated to graffiti, marked the emergence of just one of several landmark museums and galleries this season--here's a look at some of the art world's upcoming institutions.
Urban Nation Museum for Urban Contemporary Art in Berlin, Germany
Status: Opened September 16, 2017
Notable: Urban Nation is the world's first major institution for street art and graffiti. But tearing art out of its original context is not how it operates: instead, Urban Nation features works created on canvas or as sculptures specifically for the museum.
Major names: Shepard Fairey, Ron English, Blek le Rat, Cranio
Zeitz Museum of Contemporary Art Africa in Cape Town, South Africa
Status: Opened September 22, 2017
Notable: The MOCAA is the world's largest museum of modern African art. Its nine floors house over a hundred galleries featuring 21st-century African and diaspora art, including the entirety of Jochen Zeitz's personal collection.
Major names: Wangechi Mutu, Chris Ofili, Julie Mehretu, Glenn Ligon
Museum of Modern and Contemporary Art in Nusantara in Jakarta, Indonesia
Status: Opens November 2017
Notable: Museum MACAN is Indonesia's first museum dedicated to international modern art. About half of the museum's works are by Indonesian artists, with the other half coming from Europe, North America and Asia. Founder Haryanto Adikoesoemo has donated art from private collection to help fulfil his proclaimed dream of creating a museum for Indonesians.
Major names: Affandi, Raden Saleh, Gerhard Richter, Anish Kapoor
Louvre Abu Dhabi in Abu Dhabi, United Arab Emirates
Status: Opens November 2017
Notable: This will be the first Louvre museum to open outside of France (a satellite museum exists in Lens). Originally scheduled to open in 2012, the museum is as known for its delays and human rights scandals as it is for its exquisite architecture and the works it will house: between 200 and 300 artworks will be on loan from France over the course of a decade.
Major names: Titian, Claude Monet, Jacques-Louis David, Francesco Primaticcio
By Deb A.
By now you've heard that Agave Press will be launching its children's magazine, Prickly Pear Kids, in winter. That isn't the only exciting development in children's literature recently...
If you want your child to learn a lesson, those bunnies and bears just won't do. Researchers at the University of Toronto have discovered that only stories that feature human beings can increase children's altruism.
Speaking of bears, A.A. Milne was desperate to escape his own creation, Winnie-the-Pooh.
This year's Klaus Flugge Prize for the most exciting and promising newcomer to children's picture book illustration has been awarded to Francesca Sanna for her book, The Journey, which tells the story of a mother and her two children fleeing war at home to find a new life in a foreign country.
You've read Roald Dahl's Charlie and the Chocolate Factory, and you've probably seen at least one of the films, but what you never realised was that Charlie Bucket was originally black.
There are boy heroes, there are (significantly fewer) girl heroines. But chances are they aren't playing together. Amelia Hill takes a fascinating look at gender equality in children's books, and even offers a few titles for starting your non-sexist kids' library.
Prickly Pear Issue 1: Desert/Water
Agave Press is thrilled to announce our newest quarterly publication, Prickly Pear Kids, debuting in print this winter. Inspired by colours and contrasts, textures and senses, culture and the natural world, Prickly Pear brings an accessible community of learning and creating to children aged 5-12 across the globe.
Calls for submissions are open until November 1st.
Agave Magazine is read in over 75 countries, and readership continues to grow thanks to the immensely talented writers, artists and photographers who fill our pages. Vol. 3, Issue 3 is titled Best of Agave--keep your eye out for its release later this year. In the meantime, calls for submissions for the following issue close November 1st.
We are looking for manuscripts, artistic portfolios and mixed-genre work to bring to print in our 2018 series. The deadline for submissions is December 1st. Further information can be found here.
Agave Press is pleased to offer a range of services, from book design to editing, writing and even website customisation. Get in touch!
Considering a collaboration with Agave Press? For details about our publications, including reviews, stats, and prices for our integrated support services, please send us a request for our 2017 media kit.
By Deb A.
2018 will mark a century since women first got the right to vote in the UK.
Two years ago, author Kamila Shamsie suggested a unique celebration for the literary world: publishing new titles written by female authors only.
The idea came after 2014's Year of Reading Women, which emerged in part as a response to a study that revealed a drastic imbalance between male and female writers, as well as male and female reviewers. Just around a quarter of books reviewed in titles such as The London Review of Books and the New Yorker were written by women, and approximately a quarter of all reviewers were women themselves.
"The question isn't, 'Is there a problem?' It's: 'Are we recognising how deep it runs and do we know what to do about it?'" Ms. Shamsie wrote the following year. She proposed that a 'Year of Publishing Women' would kickstart gender parity throughout the literary world, resulting in more equality "in review pages and blogs, in bookshop windows and front-of-store displays, in literature festival line-ups and in prize submissions."
Independent UK publishing house And Other Stories quickly took the call to heart and committed to publishing only books by female writers in 2018, but since then, there have been no further takers. Overall, response was lukewarm at best, with several agents and writers agreeing with the importance of highlighting the systematic exclusion of female voices in the industry, but balking at excluding men altogether.
"Depriving the reading public of any book on the basis of gender, race or creed is surely antithetical to everything that culture stands for?" mused Jonny Geller, Joint C.E.O. of Curtis Brown, while Andrew Franklin, Managing Director of Profile Books, told The Bookseller that "it will never happen in full but it serves as a reminder that we should do better."
The industry should indeed do better. But so far, it seems that reminders are not enough.
How do you think female authors should be promoted in what is currently a male-driven industry? Tell us below.
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