By Deb A.
Here are some tidbits you may have missed this week.
"Alas for me! I am dead!": Ancient speech bubbles have been discovered in Jordan. (Atlas Obscura)
World of WearableArt celebrates its 30-year anniversary this year. (World of WearableArt)
Film, sculpture, performance, installations, activist architecture—but not a paintbrush in sight. The Turner Prize shortlist is here. (Tate)
Speaking of shortlists, the Photobox Instagram Photography Awards has one and there isn't a single shot of brunch to be seen. (PIPA)
Caitriona Lally won this year's Rooney Prize for Irish Literature for her debut novel, Eggshells. The award is given by Trinity College Dublin, Ms. Lally's alma mater and current employer; she has been working there as a cleaner since 2015. (CBC Radio)
How to probably not corrupt your child: Read them books that have been banned. Julia Pistell celebrates Banned Books Week. (Shondaland)
And now that you've reached the end, stop scrolling and get back to your book—but take a look at Joe Moran's examination of slow reading first. (The Guardian)
By Deb A.
Summer is festival time. Here's a sample of just some of the events for bookworms, art lovers, and photography fans taking place this season.
Athens Photo Festival 2018
6 June –29 July; Athens, Greece
The main exhibition at the Benaki Museum was curated from over 100 entries; there is also a Young Greek Photographers exhibit.
21 June–1 July; Lodz, Poland
One of Poland's first major photography events in 2001, this year's festival looks at the Anthropocene epoch with over 30 exhibitions.
23 June–1 July; Leipzig, Germany
This year the biennial festival for photography will examine how photography can be used for democracy and mediation.
National Arts Festival
28 June–8 July; Grahamstown, South Africa
Visitors get free entry to exhibitions by "hundreds of visual artists working in almost every conceivable medium," including I am because you are: A search for Ubuntu with permission to dream and Sister Sister, an all-female exhibition.
29 June–1 July; London, England
Somali-British poet Warsan Shire will headline the U.K.'s biggest annual African literary festival, which features book launches, workshops, masterclasses, panels, and roundtables with authors from a dozen countries.
Read by the Sea
2–7 July; River John, Canada
A festival that brings some of Canada's best authors and poets to a small town in Nova Scotia; WordPlay, a children's event, will include Paulette Bourgeois (Franklin the Turtle).
2 July–23 September; Arles, France
"Cross space and time with a breathtaking, celestial journey across the ages"—who could resist an invitation like that?
Antiparos International Photo Festival
7–16 July; Antiparos, Greece
With a maximum of just 15 photographers, this mostly open-air event may be the smallest international photography festival in the world.
Upfest—The Urban Paint Festival
28–30 July; Bristol, England
Europe's largest, free street art and graffiti festival, with artists from around the world painting 60,000 square feet of surfaces. Also includes an affordable art sale.
Edinburgh Fringe Festival
3–27 August; Edinburgh, Scotland
It bills itself as "the world's greatest platform for creative freedom," as well as "the single biggest celebration of arts and culture on the planet," neither of which is an empty boast. Featuring spoken word performances, art exhibits, plays, dance, cabaret, and more, it is perhaps best-known for comedy.
Kilkenny Arts Festival
9–19 August; Kilkenny, Ireland
Enjoy the music, theatre, dance, and art, but don't let it distract you from attending a poetry workshop with poet-in-residence Eavan Boland.
17–19 August; Kampala, Uganda
In its sixth year, Uganda's leading literary festival will be looking to build on its foundations and set the tone for the next five years.
Queensland Poetry Festival
36–26 August; Queensland, Australia
Poet-in-residence Yona Harvey will offer workshops, talks, and more; the winner of the Emerging Older Poets Mentorship will read, and a poet will be selected to represent Queensland in the Australia Poetry Slam.
By Deb A.
But though lean Hunger and green Thirst
Like asp with adder fight,
We have little care of prison fare,
For what chills and kills outright
Is that every stone one lifts by day
Becomes one's heart by night.
from The Ballad of Reading Gaol by Oscar Wilde
In 1897, toward the end of his two-year imprisonment in Reading Gaol, Oscar Wilde was finally allowed to write... one single piece of paper at a time. Each sheet was confiscated once filled. Together, those individual pages became De Profundis, a bitterly passionate letter to his lover. Shortly after his incarceration, Wilde immortalised the prison in his devastating The Ballad of Reading Gaol.
The Reading Jail closed its doors in 2013, but is temporarily open to the public in a tribute to the Irish writer called Inside: Artists and Writers in Reading Prison. The project is a collaboration between Artangel and the National Trust that sees artists, writers, performers and poets building on the theme of separation that permeates Wilde's final works.
Wilde's cell stands starkly empty, but others feature handwritten letters on the topic of state-enforced isolation, including Ai Weiwei's missive to his son about his own experience of imprisonment. Some spaces contain art installations: gold-plated mosquito netting around a steel bunk bed frame by Steve McQueen; photos and videos dealing with forbidden homosexuality by Nans Goldin; and portraits of Wilde, Lord Alfred Douglas and other men by Marlene Dumas.
Every Sunday, performers including Patti Smith, Ben Whishaw and Ralph Fiennes will read the 50,000-word De Profundis live in the jail's chapel.
The National Trust is also offering tours of the premises on Fridays and Saturdays.
Inside: Artists and Writers in Reading Prison is open until October 30th.
By Deb A.
Usually it's the spring season that denotes renewal and a fresh look to the futureand yet, the lists of writers to watch for are already popping up, most notably from the Poetry Book Society and CBC Books. The first list, issued only once per decade, boasts a Mercury Prize nominee, Kate Tempest; the second is an annual compilation of Canadian authors that tipped Eleanor Catton in 2011. She went on to become the youngest winner of the Man Booker Prize in 2013 for her novel, The Luminaries.
Here are a few of the names to keep an eye out for in the years to come, alongside the talented contributors to Agave Magazine, of course (don't forget: the next issue is due out this week. Subscribe here to have it delivered directly to your inbox):
Seamus Heaney (1939-2013)
By Ariana L.
There is something compelling about the Irish literary sensibility that transcends the canon of English Literature. It rebukes the cultural prison of authority and validity by creating a dynamic literature distinctly apart. This sensibility is elaborated by a collective voice that measures equal parts strength to strife, and balances hefty doses of intellectualism with an extraordinary specificity to articulate the quotidian and the commonplace. Indeed for a country of only 32,000 square miles, there has been a disproportionate amount of suffering resulting from social and geopolitical injustices. And yet, despite all of the hardships and indignities, somehow a disproportionate profusion of talent —of greatness— has emerged.
Seamus Heaney was amongst the greatest of Irish literary heroes (including Oscar Wilde, W.B. Yeats, James Joyce, Samuel Beckett, Patrick Kavanagh and Brain Coffey). Renowned poet, critical thinker, humourist and literary professor (most notably at Oxford and Harvard), Seamus Heaney has served as one of the key figures not only of Anglo-Irish writing, but indeed of contemporary world literature. In his lifetime, he published over 20 volumes of poetry, numerous anthologies, and achieved success in his definitive translation of the Old English heroic poem, Beowulf. In 1995, he was awarded the Noble Prize for Literature for "works of lyrical beauty and ethical depth, which exalt everyday miracles and the living past."
Heaney reminded us that literature does not have to exist within confines to be meaningful. Rather, he challenged the boundaries by investigating his own fears and uncertainties. He drew upon the visceral interplay between the past and the future, and in his inimitable fashion, refused to eulogize it.
"It is always better/to avenge dear ones than to indulge in mourning./ For every one of us, living in this world/ means waiting for our end./ Let whoever can/ win glory before death. When a warrior is gone,/ that will be his best and only bulwark."
—Seamus Heaney, Beowulf: A New Verse Translation
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