By Deb A.
By now you've heard that Agave Press will be launching its children's magazine, Prickly Pear Kids, in winter. That isn't the only exciting development in children's literature recently...
If you want your child to learn a lesson, those bunnies and bears just won't do. Researchers at the University of Toronto have discovered that only stories that feature human beings can increase children's altruism.
Speaking of bears, A.A. Milne was desperate to escape his own creation, Winnie-the-Pooh.
This year's Klaus Flugge Prize for the most exciting and promising newcomer to children's picture book illustration has been awarded to Francesca Sanna for her book, The Journey, which tells the story of a mother and her two children fleeing war at home to find a new life in a foreign country.
You've read Roald Dahl's Charlie and the Chocolate Factory, and you've probably seen at least one of the films, but what you never realised was that Charlie Bucket was originally black.
There are boy heroes, there are (significantly fewer) girl heroines. But chances are they aren't playing together. Amelia Hill takes a fascinating look at gender equality in children's books, and even offers a few titles for starting your non-sexist kids' library.
Prickly Pear Issue 1: Desert/Water
Agave Press is thrilled to announce our newest quarterly publication, Prickly Pear Kids, debuting in print this winter. Inspired by colours and contrasts, textures and senses, culture and the natural world, Prickly Pear brings an accessible community of learning and creating to children aged 5-12 across the globe.
Calls for submissions are open until November 1st.
Agave Magazine is read in over 75 countries, and readership continues to grow thanks to the immensely talented writers, artists and photographers who fill our pages. Vol. 3, Issue 3 is titled Best of Agave--keep your eye out for its release later this year. In the meantime, calls for submissions for the following issue close November 1st.
We are looking for manuscripts, artistic portfolios and mixed-genre work to bring to print in our 2018 series. The deadline for submissions is December 1st. Further information can be found here.
Agave Press is pleased to offer a range of services, from book design to editing, writing and even website customisation. Get in touch!
Considering a collaboration with Agave Press? For details about our publications, including reviews, stats, and prices for our integrated support services, please send us a request for our 2017 media kit.
By Deb A.
We've been dazzled by gold and bowled away by blues and we've stared deep into Vantablack; this week it's time for the colour of royalty, creativity and peace to take the spotlight. It's Pantone's new hue, and it's in honour of Prince, The Purple One himself. Dear readers, here is Love Symbol #2.
By Deb A.
If you're in need of some inspiration to begin your week, look no further:
Art is good for us: On Wednesday the British Parliament will announce the results of its two-year inquiry into arts, health and wellbeing. In anticipation of the report, Nicci Gerrard offers an eloquent account of the role of arts in helping people with dementia. (The Guardian)
Beware the selfie: A single snapshot was to blame for the domino effect that knocked over a row of plinths holding $200,000 worth of art. Too perfectly awkward to be true? (The New York Times)
Sketching the unknown: How artists and researchers teamed up to find and introduce new species to the rest of the world. (The Atlantic)
Illustrator, cartoonist, trailblazer: Canadian artist Jillian Tamaki's new book of graphic short stories marks her emergence as a "consummate storyteller". (The Walrus)
Visual activist: Photographer Zanele Muholi highlights racism, homophobia, and hate with Somnyama Ngopnyama, Hail the Dark Lioness, a series of self-portraits she took every day for a year. The Guardian dedicates two spaces to her work, and rightly so: a striking photo gallery and a compelling article.
When is a Modigliani not a Modigliani? Twenty-one artworks have been confiscated from a major exhibition in Genoa after several were confirmed as fakes. (The Telegraph)
The Commuter Pig Keeper? You still have time to vote for the Oddest Book Title of the Year. (The Bookseller)
Agave alumna: Agave Magazine contributor Karla K. Morton's twelfth book, Wooden Lions, is now available.
By Deb A.
Disruptions, delivery services, death: the news about drones is far from positive. But in the right hands, a drone can capture beauty from an uncommon vantage point.
Dronestagram is a social network solely for aerial photographers. This is the fourth year that it has held a drone photography contest in partnership with National Geographic and the first year it has included "Creativity" as a category alongside "Nature", "People", and "Urban". Plucked from 8,000 submissions, the twelve winning photos take us around the world with striking views of France, Romania, Greenland, the United Arab Emirates, Russia, Spain, South Africa, the United States, and Vietnam.
By Deb A.
The museum-going experience is generally a fairly standard one: Go in and look. In most cases, the act of experiencing art relies heavily or even exclusively on sight. Anyone wishing to contemplate something particularly fascinating might get close enough to see the tiny details, or sit for awhile to gaze. There might be something to listen to, but touching or tasting are generally frowned upon, and smelling is often wholly irrelevant altogether.
Peter de Cupere is a preeminent olfactory artist whose works include a fake fuel station smelling of grass, candy and exhaust fumes; a house made of pleasantly scented garbage; real flowers that smell like smoke; and a dome containing an old black tree on a white ball that makes visitors' eyes water with its intense peppermint and pepper aroma.
"When you walk into an installation with scent, you cannot hide. Your body starts to react," Mr. de Cupere explained to the New York Times. He believes that so little art is olfactory because smells "act directly on the limbic system and don't give you the necessary time and chance to translate things like you do with sight." Odours have an immediate physical impact on us, whereas even our first visceral impression of a painting can be considered and evaluated and refined.
The immediacy of smells extends to how we experience them. Unlike visual and aural art, scents must be encountered in person. They are not available online. As Scent Art, a network for olfactory artists, explains, "The resistance of odour to digitisation makes it one of the aspects of an artwork that still demands the physical presence of its audience in order to experience it." Klara Ravat has taken advantage of this fact to examine how human interaction changes after visitors have exchanged body odours with someone else—a feat that could only be realised in person.
Artist and smell scientist Sissel Tolaas thinks that scent affords us a deeper understanding that is more likely to remain fixed in our memory. Her installation for Beauty--Cooper Hewitt Design Triennial in 2016 examined the beauty of smells--in particular, decay. She captured autumn odours in Central Park, then reproduced them and mixed them into paint that is activated by another sense: touch. She aims to help visitors understand that there is beauty to be found in odours.
Scent is the only sense that triggers our emotions, our memory and our adrenaline. Why, then, aren't more artists using aromas in their works? For one, smells can be difficult to control—in 1902 Sadakichi Hartmann's 'scent concert' was upstaged by tobacco smoke. Smell is also temporary, although artists like Anicka Yi have used it to reinforce the idea that "maybe, all art shouldn't stick around forever in its object form."
Perhaps the most important barrier to scent art is that we simply don't care as much about our sense of smell as we do about our other four senses. It has been shown that the ability to smell is the sense we would be most willing to sacrifice. Hopefully the growing ranks of contemporary olfactory artists (if you'd like to become one, here's a helpful resource) can help us acknowledge the value of what's right under our noses.
By Deb A.
After Senator Kamala Harris was accused of being hysterical for the (professional) way she questioned Attorney General Jeff Sessions, the world-renowned Strand Book Store posted a list of "strong feminist voices you need to listen to" under the title We Are Not Hysterical.
If you'd like feminist books like those delivered to your door every month you might want to keep an eye on the Card Carrying Books and Gifts Indiegogo page.
Enormous portraits of inspiring black women now grace the streets of London thanks to artist Neequaye Dreph Dsane and his You Are Enough series.
New York City will also look a little more interesting as of June 26th, when works by female artists will take the place of ad space on Lower East Side billboards thanks to SaveArtSpace.
Meanwhile, Emma Watson is up to her usual tricks: hiding feminist books around a major city. After leaving copies of Maya Angelou's Mom & Me & Mom around London and New York, she's now stashing The Handmaid's Tale in Parisian nooks and crannies.
Joanna Moorhead of The Guardian rightly asks: Why isn't Anna Atkins famous?
Shikha Sharma spotlights feminist Indian authors we should get to know for Youth Ki Awaaz.
Grace Meets Matisse: Coming to a NYC billboard soon. (via Elise R. Peterson)
By Deb A.
As the world's largest library and America's oldest federal cultural institution, the Library of Congress boasts over 164 million items stored on over 1300 kilometres of bookshelves. Its stated mission is to "document the history and further the creativity of the American people" and to ensure that its collections "record and contribute to the advancement of civilization and knowledge throughout the world." And this month the library has been particularly busy.
Welcome Tracy K. Smith, Poet Laureate
Pulitzer Prize winner Tracy K. Smith has been named as the Library of Congress's 22nd poet laureate. She is the author of three books of poetry--The Body's Question, Duende, and Life on Mars--as well as a memoir, Ordinary Light. Her new post does not include any specific duties, but former poets laureate have attempted to popularize poetry beyond current audiences; in keeping with this tradition, Ms. Smith reports that she intends to hold poetry events in smaller towns, "where literary festivals don't always go".
Welcome to the web
It owns a Gutenberg bible and is now also home to lolcats. This week the Library of Congress launched two digital collections: The Web Cultures Archive and the Web Comics Archive. The former includes memes, GIFs, emojis and more in an effort to "help scholars 25 and 100 years from now have a fuller picture of the culture and life of people today," according to Elizabeth Peterson, director of the American Folklife Center. The Web Comics Archive is a natural extension of the library's comic book collection, which, with 135,000 issues, is the world's largest. It includes longstanding web comic classics such as XKCD alongside works by artists who are part of underrepresented groups, such as women, artists of colour and LGBTQ+ artists.
By Deb A.
Happy Ramadan to all our Muslim readers! And thanks to TED-Ed for this hypnotic look into the intricacies of Islamic design:
Arundhati Roy is back with new fiction, 20 years after her breathtaking first novel, The God of Small Things. The Guardian's recent interview with the author gives us a glimpse into her mind--and the minds of her latest characters. You can read an extract of Ms. Roy's latest novel, The Ministry of Utmost Happiness, at The Guardian too.
The world is $933,000 away from Neil Gaiman doing a live reading of Dr. Seuss's Fox in Socks (or a mere $433,000 away from hearing him read the Cheesecake Factory menu). In case this is what's missing in your life, you can donate here. All proceeds will go to the UNHCR.
The BBC takes a look back at 70 years of classic portrait photography with a tribute to the Camera Press Agency.
His memoir was on many 'best books of 2016'' lists last year; this year Hisham Matar's The Return: Fathers, Sons and the Land in Between has also won the Folio Prize.
Kerry Clare takes a look at smallness in children's literature in The Walrus.
He "solved a problem that [others] did not. He found a way to represent for a global Anglophone audience the diction of his Igbo homeland": Kwame Anthony Appiah explains Chinua Achebe's particular genius in The New York Review of Books.
By Deb A.
Over the last decade, nearly 36,000 30-page sketchbooks have made their way to the Brooklyn Art Library's permanent collection.They are part of The Sketchbook Project, an initiative to equalize and inspire creative people that claims to be one of the world's largest collections of sketchbooks.
The Sketchbook Project's criteria for inclusion are low: contributors must purchase a branded, barcoded 5"x7" sketchbook to fill, use it in some way, and return it to the library in its original dimensions. That's it. The rest is up to you.
Unlike the exclusive gallery culture that founders Steven Peterman and Shane Zucker were reacting against when they began, all works are welcome--the library features sketchbooks filled by professional artists alongside others filled by children.
Submissions that meet the criteria are catalogued with keywords, enabling visitors to search for a particular name, theme or place. Artists can see how often their books have been pulled from the shelf; with each view, they get a reminder that somewhere out in the world, someone is paying attention. (For $35, they can have their work digitized and made available for viewing online as well.)
The Sketchbook Project offers a range of themes that contributors should use for a starting point: for 2018, this includes everything from 'Tacos' to 'Lines and Graphics' to 'People I Wish I Knew'.
Anyone wishing to add their own work to the project must sign up by January 5th, 2018 and submit their sketchbook by the end of March.
Literary, art and photography publications, and publisher of fine books. Quarterly magazines are available online and in print, and feature contributors from around the globe. For current book titles, visit our homepage.
Copyright © Agave Magazine + Press, 2017